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Why… is there so little coverage of the Edinburgh Festivals on TV?

By ShinyMedia on August 26th, 2008 3 comments

EDFRINGE.gifThere are literally hundreds of music festivals being held in the UK nowadays, and some of them – traditionally Glastonbury, T In The Park, Reading and Leeds and V – are given hours of live coverage on television, along with extensive highlights packages. Even some of the growing ’boutique’ festivals, such as Latitude and The Big Chill are getting coverage too. And yet, apparently, our esteemed schedulers can only find three hours to broadcast programmes about the world’s largest arts festival in Edinburgh. Surely I can’t be the only one who thinks this is a travesty?


The Fringe gets most of the column inches these days, but in fact there are lots of festivals going on during the Scottish summer. There’s (deep breath) the official Edinburgh Festival, the Book Festival, the Jazz and Blues Festival, the Art Festival, the TV Festival, and the Mela as well as the Fringe, all of which take place between June and the end of August. You’d think, with all of that, that television might take a slight interest. Over 1.5 million tickets were sold for the Fringe alone, for goodness sake! But no, apart from three programmes produced by Culture Show team, there’s zilch.

Now I understand that you can’t necessarily do blanket live coverage of, say, comedy gigs like you can music festivals – comedians don’t always like the world and his wife to know their punchlines from seeing them on telly. But there are ways of getting round it – Sky Arts, for example, had a couple of short shows everyday during the Hay On Wye Literary Festival, featuring interviews with authors and speakers, and little readings too. I see no reason why this format could not be adopted or adapted for the Edinburgh festivals – there’s plenty of material there for producers to get their teeth into, so why won’t they bite?

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  • Michael

    It is a very good question, and an area where the ‘new media’ seems to be filling the void.

    The Guardian had an enjoyable daily podcast during the Fringe in which comedian Miles Jupp interviewed and featured performers. It sounds similar to how you describe Sky Art’s coverage of the Hay Festival.

    In contrast to their 16 shows offering 8 hours of original programming, even Radio 4 could only offer two programmes, featuring some of the same material.

    In addition to the The Guardian, The Times also seem to be particularly good when it comes to producing podcasts. Although they seemed to have lacked any Edinburgh programming. But they are where I would first look for this sort of coverage now.

  • http://annawaits.blogspot.com annalowman

    Hi Michael, thanks for that. I listened to a lot of the Guardian podcasts, too, and really enjoyed them. (Gotta love the “Muselical”!) Maybe TV producers think just having comedy performances and interviews isn’t “visual” enough, but you’re right when you say that even radio hasn’t displayed much interest. It’s such a shame.

  • http://blogs.warwick.ac.uk/loved Dean

    It’s a weird one. I guess a lot is just practicalities too: there are literally hundreds of venues at the Fringe, and so it’s not like a camera crew can set up shop at one and just film clips of everything on.

    Likewise a good 90% of the venues aren’t really suitable for any sort of reliable filming system. That said, a half hour program every day where two comics did 10 minutes each from their shows on a stage in a studio, with some sort of interview footage in between would seem eminently manageable. It should even cost that much as if it’s going out the following day most performers would be queueing up to perform just for the publicity. Getting an audience it would be a piece of cake too.

    Theatre is obviously trickier as it’s hard to condense into 10 minutes but still they could have a go. What makes it all the more bizarre is that the whole place is filled with TV talent scouts and execs looking for the next big breakthrough act, but the thought of actually producing anything while they’re there seems crazy. Still, it’s more coverage this year than it’ll get in 2012…




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